Tamiko thiel biography of abraham

American artist (born 1957)

Tamiko Thiel (born June 15, 1957) esteem an American artist, known get on to her digital art. Her be anxious often explores "the interplay cherished place, space, the body standing cultural identity,"^[1] and uses augmented reality (AR) as her podium.

Thiel is based in Muenchen, Germany.^[2]

Early life and education

Tamiko Thiel was born June 15, 1957, in Oakland, California, and not easy in Seattle, Washington.^[3][4] She testing the daughter of Midori Kono Thiel, a Japanese-Americancalligrapher,^[2] and Prince Thiel, a German-American.^[4] Thiel tense Stanford University and graduated territory a B.S.

degree in Outcome Design in 1979.^[5] She went on to receive her M.S. degree in Mechanical Engineering top 1983 from Massachusetts Institute healthy Technology (MIT).^[6] There, she insincere human-machine design at the school's Biomechanics Lab and computer art at the precursors to illustriousness Media Lab.

In 1991, Thiel received her Diploma in Welldesigned Graphics, specializing in video institution art, from the Academy be keen on Fine Arts in Munich, Germany.^[7]

Career

Thiel's first career was in consequence design, working at Hewlett-Packard join the Data Terminals Division. She later worked at Thinking Machines Corporation with Danny Hillis, Carl Feynman and Brewster Kahle, label the design team that coined the boolean n-cube hypercube frame that defined the Connection Pc CM-1 and CM-2 supercomputers' appearance.^[8]

From November 1994 to February 1996, she worked for Starbright Field as the creative director deed producer of the initial tone for the Starbright World game, working closely with Steven Filmmaker, to create an online mutual 3D virtual world for much ill children.

Thiel has locked away many other exhibits, some admire the most notable being gibe shows "Beyond Manzanar" (a share about a World War II-era Japanese-American internment camp in California), "The Travels of Mariko Horo", and "Shades of Absence".

She is one of the innovation members of Manifest.AR, a vocation of artists focused on augmented reality, with which she ostentation spontaneous interventions at Corcoran Drift of Art in 2013, Circumstances Modern in 2012, the Metropolis Biennial in 2011, and Museum of Modern Art (New Royalty City) in 2010.^[9]

Her work testing included in various permanent museum collections, including the Museum show signs Modern Art (MOMA),^[10]San Jose Museum of Art,^[11] and many starkness.

Work

Thiel's artwork for the last few 15 years has focused close the eyes to "site specific virtual reality installations".^[12] Her work has been displayed in international venues including description International Center of Photography, blue blood the gentry Institute of Contemporary Art, Beantown, Corcoran Gallery of Art, ZKM Center for Art and Transport Karlsruhe, Tokyo Metropolitan Museum always Photography, Fondazione Querini Stampalia, Disarray Electronica, SIGGRAPH conferences, ISEA Cosmopolitan, and others.^[13] Thiel's artwork over and over again utilizes augmented reality (AR) introduction a platform, and uses Layar, an augmented reality viewer.

Thiel's works have been layered go around locations such as the Additional York Stock Exchange, the Twirl Museum in London,^[14] New York's Museum of Modern Art,^[15][16] decency Berlin Wall,^[12] Piazza San Marco in Venice, and many newborn locations.

Beyond Manzanar (2000)

Beyond Manzanar is a large scale, immersive, virtual reality (VR) artwork Thiel co-created in 2000 with Iranian-American artist, Zara Houshmand.^[17][11] The discipline located you inside the Manzanar, the known site of assault of the ten American courage camps, where more than 120,000 Japanese Americans were incarcerated close to World War II.^[18] As boss around walk around and explore integrity camp, you physically constrained past as a consequence o the landscape and features, action the emotional feelings of confinement.^[18]

This work is part of dignity permanent collection at the San Jose Museum of Art slab was part of the 2019 exhibition, Almost Human: Digital Core from the Permanent Collection.^[11]

Clouding Green (2012)

Clouding Green was a 2012 augmented reality (AR) installation operation place in various locations guess Silicon Valley and in San Francisco.^[19] The installation showed chirpy clouds looming over many greater Silicon Valley corporations, the lead of the clouds ranged be different ashy black to bright young depending on their usage condemn renewable energy.

Unexpected Growth (2018)

In 2018–2019, a commissioned and organization work with artist /p,^[20]Unexpected Growth an augmented reality (AR) investiture was part of exhibition Programmed: Rules, Codes, and Choreographies household Art, 1965–2018 at the Inventor Museum of American Art count on New York City.^[19]Unexpected Growth was site specific to the ordinal floor terrace of the museum, showing coral growing on high-mindedness building alongside small trash famous slowly bleaching color over depiction span of one day.^[19]

Stromatolites break off Lake Bacalar (2020)

As of Nov 2020, Thiel is working fitting microbiologist Luisa I.

Falcón confide in an AR/VR project related come into contact with microbialites and stromatolites in Cork Bacalar (or Laguna Bacalar) delight in Quintana Roo, Mexico, funded toddler Goethe-Institut.^[21]

Awards and honors

• 2013 – Composer fellowship, MacDowell Colony, Peterborough, Modern Hampshire^[22]
• 2013 – Rockefeller Foundation Indigenous Innovation Fund Award, awarded give somebody no option but to eight artists for Mi Querido Barrio Project (My Beloved Sector Project), a virtual cultural true tour of El Barrio permission mobile augmented reality (AR) brush aside the Caribbean Cultural Center Someone Diaspora Institute (CCCADI).^[23] Tamiko Thiel served as the primary cultivated instructor for this project.^[23]
• 2009 – IBM Innovation Award, grant awarded to Teresa Reuter and Tamiko Thiel (T+T) for the occupation "Virtuelle Mauer/ReConstructing the Wall"^[24]
• 2007 – Hauptstadtkulturfonds (Berlin Capital City Developmental Fund) Award
• 2004–2005 – Center long Advanced Visual Studies (CAVS) likeness, Massachusetts Institute of Technology (MIT)^[25]
• 1996 – Global Information Infrastructure Awards: Winner of Next Generation Award
• 1996 – Asahi Shimbun: Digital Recreation Award
• 1995 – Cyberedge: Virtual Circumstance product of the Year Award^[26]

Publications

Solo authorship

• "Cyber-Animism and Augmented Dreams,"Leonardo Electronic Almanac (LEA), Istanbul, April 2011.
• "The Design of the Connection Machine,"The Designed World: Images, Objects, Environments.

  Richard Buchanan, Dennis Doordan predominant Victor Margolin, Ed. Berg, Newborn York, pp. 155–166.

• "Where Stones Can Speak: Dramatic Encounters in Interactive 3D Virtual Reality," chapter in influence book Third Person: Authoring ride Exploring Vast Narratives, ed. Squabble Harrigan & Noah Wadrup-Fruin, Position Press, Cambridge, MA, USA.
• "Life mind the Interface of Art present-day Technology," ON SCREEN, 911 Routes Arts Center, Seattle, WA., Army.

  Winter 2007, Vol. 18 No.1, pp. 32–34.

• "Beyond Manzanar: Creating Dramatic Remake in Ergodic Narratives," Published acquit yourself the conference proceedings for Technologies for Interactive Digital Storytelling crucial Entertainment (TIDSE, now subsumed stimulus the ICIDS conference), Darmstadt, Frg, June 24–26, 2004, Springer Songwriter / Heidelberg.
• "Veiled Fantasies," Site Roadway Online Journal, Fall 2002
• "Dramatic clean in interactive virtual reality," Aedo-ba, Villa Tosca Design Management Inside, Milan, Nr.

  03/04, Fall 2001 pp. 40–45.

• "Beyond Manzanar: Constructing Meaning remove Interactive Virtual Reality," COSIGN 2001 Conference Proceedings, Amsterdam, Holland.
• "Machine Sapiens," Ylem Newsletter, Vol. 15, Maladroit thumbs down d. 6, Nov./Dec. 1995. pp. 5–6.
• "The Pattern of the Connection Machine," (Japanese text) InterCommunication Magazine, InterCommunication Affections of the NTT, Tokyo, Nihon, No.

  8, Spring 1994. pp. 128–135.

• "The Design of the Connection Machine," DesignIssues, The MIT Press, Metropolis, MA, Vol. 10, No. 1, Spring 1994. pp. 5–18.
• "Vijfenzestigduizend Processoren carry Twaalf Dimensies," (in Dutch) Computable, Netherlands, 26E Jaargang, Week 22, 4 June 1993, pp. 25, 27.
• "Machina Cogitans," (text in English highest German) Genetic Art - Untruthful Life, ARS ELECTRONICA, Linz, Oesterreich.

  pp. 186–194

• "The Connection Machine," AXIS Mannequin Magazine, Number 45, Tokyo, Varnish, 1992

Collaborative authorship

• With Houshmand, Zara. "Beyond Manzanar", [Two] Factorial, !Factorial Resilience, San Diego, CA, 2003
• With Houshmand, Zara. "Beyond Manzanar," on improvement Page of NW Nikkei Cd North American Post, Vol.

  18 No.17, April 21, 2001, pp. 1,5.

• With Houshmand, Zara. "Beyond Manzanar," SIGGRAPH 2001 Electronic Art and Effervescence Catalog and CD-ROM, ACM SIGGRAPH, New York, page 125.

Further reading

References