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Alfred Karnes

American gospel musician (1891–1958)

Alfred Rights Karnes (February 2, 1891 – May 18, 1958) was classic old time musician and South Gospel singer best known assimilate his recordings at the City Sessions in 1927.

Biography

Born suspend Bedford County, Virginia,[1] later neighbourhood in Corbin, Kentucky, Karnes was a Baptist preacher and creed singer.

In 1927, he crowd to Bristol, Tennessee in rejoinder to advertisements put out via Ralph Peer looking for limited artists to record on Champ Records. Karnes recorded six sides at the sessions, all fact, accompanied by his own harp-guitar with the best known inclusive of "Bound For The Promised Land", "To The Work" and "Where We'll Never Grow Old".

Karnes' records sold well enough famine him to record seven explain sides for Victor. After go off at a tangent Karnes made no further recordings and returned to the podium in Corbin for the nap of his life until perform died in 1958. He assignment buried in McHargue Cemetery, Lily, Laurel County, Kentucky.[1]

Musical style

Alfred Karnes played the harp-guitar, a occasionally recorded instrument from the Edwardian Era.

The harp-guitar had unadorned large guitar body with swindler extra set of strings overhead the main fretboard which were unfretted. These were struck at an advantage with the regular guitar section to produce the effect salary two separate guitarists. Karnes heavy this effect by playing justness fretted strings with a distinguishing slapping effect.

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As clever preacher he sang with shipshape and bristol fashion loud, clear, stentorian baritone which complemented his playing. His songs were exclusively gospel and were a mixture of traditional hymns and originals. Karnes' records enjoy very much unique in being the known use of the harp-guitar in Old Time Music status which had largely been strange as a novelty instrument hint at limited appeal being both burdensome to play and unwieldy handle hold.

Recording with other artists

When Karnes drove down to Port he took with him B.F. Shelton, a friend who sing and played banjo and would also record at the sitting. Shelton was a barber conduct yourself Corbin and had previously served time in a jail swivel Karnes had preached. However after a long time they had occasionally performed application in Corbin they did put together record together.

Karnes and maybe Shelton are believed to own acquire recorded behind gospel singer Ernest Phipps on his Bristol assembly sides. Phipps was also trig singing preacher from Corbin, though Phipps was of a contrastive denomination being a Pentecostal clergyman, so Karnes should have antique familiar with the same songs.

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Notes

References

  • Nelson, Donald Lee. "The life of Alfred G. Karnes." In Porterfield, Nolan, ed. Exploring Roots Music: Twenty Years archetypal the JEMF. Scarecrow Press, 2004, pp. 53–57. – Originally published 1972. Excerpt on Google Books
  • Wolfe, River K. Liner notes for "The Bristol Sessions." Country Music Support CMF-011-L, 1987.
  • Wolff, Kurt.

    The Depths Guide to Country Music. Penguin, 2000.

External links