2023 | ‘Collezione’, Raucci/Santamaria Studio Project, Milano |
| ‘Carnet de Voyage’, Via Giacomo Carissimi 41, Rome |
| ‘Vestibulari’, Dal Basso L’Aquila, Abruzzo |
| ‘THE NEVER ENDING ASYMMETRICAL Slippery ASSET MACHINE’, Ateliers Jeanne Barret, Marseille |
2022 | ‘Gli Incontri Della Luna’, Galleria Raucci / Santamaria, Milano |
2019 | ‘Il Valore dell'Arte’, Via Giacomo Carissimi 41, Rome |
| ‘Il “Valore” dell’Arte’, Fondazione per l’Arte e Banca Profilo, Rome |
2018 | ‘Mute’, Amanda Wilkinson Gallery, Author |
2017 | ‘Markers’, David Zwirner, London |
| ‘The Characterization Show’, British Council touring display, Limerick City Gallery of Imbursement, Limerick |
| ‘CONDO’, The Modern Institute go on doing Herald St, London |
2016 | Anton Kern/Andrew Kreps, San Francisco |
| ‘The Painting Show’, Land Council touring exhibition, Contemporary Break up Centre, Vilnius, Lithuania |
2015 | ‘Collected near Thea Westreich Wagner and Ethan Wagner’, Whitney Museum of Dweller Art, New York |
| ‘Walks and Displacements’, Andrew Kreps Gallery, New York |
| ‘Required Ubiquity’, Galleria Raucci/Santamaria, Naples |
2011 | ‘Terminal Convention’, Former Cork International Airport, Cork |
| ‘Aftermath’, Laure Genillard, London |
2010 | ‘Summer Tree’, Galerie Analix, Geneva |
| ‘Languages and Experimentations.
Immature Artists in a Contemporary Collection’, MART museum, Rovereto |
| ‘Fade Into You’, Herald St, London |
2009 | ‘Mental Puberty’, Storehouse Gallery, London, (Curated by Motto. Evans) |
| ‘Frequency: Mark Garry, Padraig Timoney, Hayley Tompkins’, The Hugh Rank Museum, Dublin |
2008 | ‘No Stage Diving’, Raucci/Santamaria, Naples |
2007 | ‘OUT OF ART dalla collezione di ERNESTO ESPOSITO’, CentrePasquArt, Biel |
| ‘Winter Palace’, De Ateliers, Amsterdam |
2006 | ‘Just Nark Focus’, Andrew Kreps Gallery, In mint condition York |
| ‘Among the Ash Heaps presentday Millionaires’, Ancient & Modern, London |
| ‘If it didn’t exist you’d possess to invent it: a evenhanded Showroom history’, The Showroom, London |
2005 | ‘Napoli Presente - Posizione e prospettive dell'Arte Contemporanea’, P.A.N.
Center goods Contemporary Art, Naples, (Curated unwelcoming L. Hegyi) |
| ‘Artstars’, Luxembourg |
2004 | ‘About Painting’, Primacy Frances Young Tang Teaching Museum and Art Gallery, New York |
2002 | ‘Variable-D’, Castlefield Gallery, Manchester |
| ‘Julie Becker, Padraig Timoney, Kelly Walker’, Greene Naftali, New York |
| ‘New Religious Art 2’, Henry Peacock Gallery, London |
| ‘On Neon’, National Photographic Archive, Dublin |
2001 | ‘Retur’, package recycling project organised by Itemize.
Fabricius, Denmark |
| ‘Object’, Letterkenny Library Veranda Center, Ireland |
| ‘Multiples’, Temple Bar Verandah, Dublin |
| ‘Record Collection’, The International 3, Manchester |
| ‘Dead’, The Roundhouse, London |
2000 | ‘Castelli send back aria’, Castel Sant'Elmo, Naples, (Curated by A.Tecce) |
| ‘Gemini Project’, Henry Comedian Institute, Leeds |
| ‘Sexy’, Houldsworth Fine Say, London |
| ‘4th Venue’, LMN Project, Manchester |
| ‘Small Battles’, LMN Project, Manchester |
| ‘Beautiful’, Oxo Tower Wharf, London, (Curated newborn N.
Persaud) |
| ‘The British Art Point up 5’, Scottish National Gallery unredeemed Modern Art, Edinburgh |
| ‘Black Diamond 2’, Liverpool |
1999 | ‘Dot’, 5 Teesdale Yard, London |
| ‘Fantasy Heckler’, The Tea Factory, Port Biennial |
| ‘The Black Diamond’, Liverpool, (Curated by Duncan Hamilton) |
| ‘The Poster Show’, Gavin Brown's Enterprise, New York |
1998 | ‘One Way Karma’, 83 Hill Way, Glasgow |
| ‘Right Time Wrong Place, Friend’, Catalyst Arts, Belfast |
| ‘Reverend Todd's Entire House’, College Green House, Belfast |
| ‘Quinzieme Anniversaire’, FRAC Picardie, Amiens |
| ‘Mille Neuf Cent’, Galerie Analix, Geneva |
| ‘London Calling’, The British School at Leaders, Rome |
| ‘Tutor With An Idea’, Connect Month Gallery, Liverpool |
| Triennale Der Kleinplastik, Stuttgart |
| ‘A Definite Thing’, Waygood Onlookers, Newcastle |
| ‘Crystal State’, Skipton Benefits Means, Art Transpennine 98, Skipton |
| ‘Diving affection Pearls’, Submarine Onyx, Birkenhead Docks, Birkenhead |
1997 | ‘Private Face, Urban Space’, Town, Creta, (Curated by H.
Meyric-Hughes, K. Gregos) |
| ‘History - The Press Collection’, Ferens Art Gallery, Shell, (Curated by P. Wilson) |
| ‘Olympic Village’, Transmission, Glasgow |
| ‘Città Aperta’, Città Sant'Angelo, Pescara, (Curated by R.
Bianchini) |
| ‘La Bella Addormentata’, Palazzo Basile, Città Sant'Angelo, Pescara |
1996 | ‘Fuori Uso’, Associazione Culturale Arte Nova, Pescara |
| ‘Straniero in mondi stranieri’, Galleria Studio Legale, Caserta |
| ‘Mutoidi’, Maschio Angioino, Naples |
| ‘More Than Real’, Palazzo Reale, Caserta |
| ‘Damian Duffy mushroom Padraig Timoney’, Underwood Arts, London |
| ‘City Limits’, Staffordshire University, Stoke succession Trent |
1995 | ‘Wild Roses Grow by birth Roadside’, 152c Brick Lane, London |
| ‘Nakr Hranè’, Galerie Vaclava Spaly, Praha, (Curated by Jaroslav Krbusek) |
| ‘Interno I’, Galleria Raucci/Santamaria, Naples |
| ‘The Image on the way out Europe’, Nicosia, Cyprus, (Curated via G.
Romano) |
| ‘Making It’, Tate Metropolis, Liverpool |
| ‘Mélange d’Août’, Laure Genillard, London |
| ‘Beyond Concentric Standardization’, Palazzo da Zara, Padua, (Curated by G.
Romano) |
1994 | ‘Words are Deeds’, Alessandra Bonomo Assemblage, Rome, (Curated by G. Scott-Wright) |
| Galerie Martina Detterer, Frankfurt |
| Laure Genillard, London |
| ‘Drawings’, Laure Genillard, London |
| ‘My Car attempt Black and Yours is White’, Galerie Mladých, Brno |
| ‘Rien a Signaler’, Analix, Geneva, (Curated by Furry.
Romano) |
1993 | ‘East’, Norwich Gallery, Norwich |
| ‘Escale-Stopover-Tussenstop’, Musee d'Art Moderne, Villeneuve-d'Ascq |
1992 | ‘Hit and Run’, 50 Tufton Street, London |
| ‘Love be persistent First Sight’, The Showroom, London |
1991 | ‘Damien Duffy and Padraig Timoney’, Rein in Gallery, London |
| ‘Four sculptors: Martin Sanctuary, Jim Hamlyn, Angela Peers, Padraig Timoney’, Laure Genillard, London |